Edward Hopper & Facts
I have been drawn to the paintings of Edward Hopper for a long time. Their melancholic atmosphere and learned weariness prompts feelings within that I generally push into the background. His work is extremely skillful and beautiful. What I didn’t realise was how relevant his process of creating these paintings was to mine.
Hopper said that he ‘always started a painting from facts.’ He needed an analytical base upon which to build a story, paint a narrative. As an architect, it made me think how important the study of facts through a detailed site analysis and design brief is for a building to ultimately have depth and richness.
His notebooks and sketches are wondrous things. Although they reveal his very tactical and precise process; even down to the money ledger of cost and materials, his finished painting is imbued with emotion and impossible not to be affected by.